Bibliotheca Hertziana - Max Planck Institute for Art History > Call for Papers: After the Middle Ages (Reception, Remnants, Revival): Architecture and Medievalism > Entro 31/03/2024

28/03/2024

“After the Middle Ages” implies both a temporal horizon, extending from the early modern period to the present day and beyond, and responses to the Middle Ages (medievalism). The conference aims to navigate and shine a spotlight on the historical interactions between these responses and architecture, encompassing attitudes towards the medieval built environment, remnants of the Middle Ages, and practices of reception and revival.
Response to the past does not naturally serve as an epistemic point of departure for architectural history. The discipline’s methods lean towards comprehending the pre-existing, often idealised as a coveted “original”, to which subsequent reactions are directed. Since the formalisation of medievalism studies in the 1970s, there has been a notable surge in scholarly attention across various disciplines directed towards responses to the Middle Ages. Medievalism is conspicuously under-theorised within architectural history. Yet, it thoroughly permeates and persistently molds the field’s subject matter, alongside responses to Antiquity. In turn, within the interdisciplinary realm of medievalism studies, architectural history remains relatively underrepresented, garnering less attention in comparison to disciplines such as medieval history and literature. The conference hopes to address these gaps and foster critical discussions surrounding an “architectural history of medievalism”.
An architectural history of medievalism presents the conundrum of grappling with responses to the Middle Ages while diverting emphasis away from the historical medieval era. By taking the medieval as a lens of refraction through which to delve into the post-medieval, this subject matter demands comprehensive acceptance of its variety, complexity, and contradictions. Acknowledging tensions and uncomfortable friction with classicism, alongside intimate connections to broader histories and historiographies, it deals with three central aspects. 

  • Reception: An inherent aspect of an architectural history of medievalism involves how the medieval has been received within architectural theory and historiography. This encompasses diverse perspectives such as critical or eulogistic views towards its visual idioms and material culture. Drawing on the interrelation between architectural historicity and Giorgio Vasari’s reaction to the Gothic suggests that responses to the Middle Ages are positioned at the foundational core of architectural history as a discipline. Simultaneously, reception extends to how medieval architecture has been received in related fields, such as the visual arts or literature.
  • Remnants: Another aspect concerns the afterlives and loss of the medieval built environment in the post-medieval. Interest often centres on its “original” state. An architectural history of medievalism delves into exploring responses to the architecture from the Middle Ages. This exploration acknowledges the built environment’s diachronic nature and comprises dynamic modes of interaction, like preservation, restoration, reworking, and, at its most extreme, annihilation. It also involves practices of medieval survival, continuing enterprises in the post-medieval which follow patterns ascribable to the Middle Ages.
  • Revival: Last but not least, an architectural history of medievalism scrutinises neo-medievalism, the architectural manifestation of medievalism. This represents the architectural revival of the Middle Ages, including, for instance, the post-medieval embodiment of medieval visual idioms like the Gothic Revival, forms of orientalism, as well as medievalities manifested through Modernism and Postmodernism. Neo-medievalism, whether built or unrealised, enduring or temporary (including the ephemeral), extant or lost, illustrates architecture’s distinct capacity to imbue spatial qualities into the resurgence of the medieval.

By elevating facets that have long been undervalued, this conference aims to challenge prevailing biases associated with medievalism: the critical assessment of reception along a spectrum based on its understanding of the actual Middle Ages; the prioritisation of the medieval built environment in its pre-modern state, alongside condemning implications of post-medieval interventions that impact the “original”; and the perception that the medieval holds greater historical significance than the neo-medieval. 
Applications to present a paper in English or Italian are welcomed. Submissions may examine any aspect of an architectural history of medievalism, spanning from reception and remnants of the medieval to its revival, encompassing any geography and time. What are the stakes, modes, and attitudes surrounding the entanglements of architecture and medievalism, historically, theoretically, and historiographically? What responsibilities does architectural history bear in advancing knowledge on responses to the Middle Ages, including their topical resurgence and interaction with the great challenges of our time, within its domain and in relation to other disciplines?
To apply, please submit an abstract of a maximum of 350 words, along with your CV (including any potential affiliation) on the following platform by 31 March 2024https://recruitment.biblhertz.it. Accommodation and travel reimbursement will be available for speakers.

Parole chiave : call - stampa - disegno - grafica - curatela
Focus Istituti e Centri di Formazione
Luiss Business School Luiss Business School

La Luiss Business School è la Business and Management School dell’Università Luiss,…

IVBC - Istituto Veneto per i Beni Culturali IVBC - Istituto Veneto per i Beni Culturali

L’Istituto Veneto per i Beni Culturali (IVBC), con sede a Venezia, è un’associazione…

ISIA Firenze - Industrial & Communication Design ISIA Firenze - Industrial & Communication Design

L'ISIA di Firenze è un istituto pubblico di livello universitario del Ministero…

Tutti gli Istituti
Lavorare nella cultura

Scopri tutte le offerte di lavoro e stage nei settori della Cultura, Media e dell'Insegnamento su profilcultura.it

Focus sui Corsi di Formazione
Progetto Antica Kroton: piano formativo e del public program Fondazione SOS School of Sustainability ETS

Crediti formativi Il laboratorio didattico è diviso in due fasi: • La prima parte…

Maestria e rivelazione: Analisi della Pala di Castelfranco di Giorgione tra tecniche esecutive, conservazione ed ermetismo simbolico Il prato publishing house

Attestato di partecipazione https://ilprato.com/corso/analisi-pala-di-castelfranco-giorgione/…

Teatro antico in scena. Eumenidi di Eschilo. Le ragioni della Giustizia. Corso avanzato di tecnica e interpretazione teatrale Università Cattolica del Sacro Cuore

Attestato di partecipazione rilasciato da Università Cattoloca del Sacro Cuore Un…

Master di fotografia: Filling The Gap Fondazione Studio Marangoni

Filling The Gap è un master annuale di avanzamento e consolidamento post laurea…

Master di II livello in Public History e Historytelling

Master di II livello Il corso si pone l'obiettivo di mappare linguaggi e pratiche,…

Master in Sostenibilità e Valorizzazione del Patrimonio Culturale - ONLINE Istituto per l'Arte e il Restauro - Palazzo Spinelli

Il Master in Sostenibilità e Valorizzazione del Patrimonio Culturale rilascia un…

Corso Serale Annuale di Fotografia Full Istituto Italiano di Fotografia

Attestato di frequenza Il Corso Serale Annuale di Fotografia Full è studiato per…

Corso Professionale Biennale di Fotografia Istituto Italiano di Fotografia

Attestato di Formazione Professionale in Fotografia di merito. Il corso si propone…

Tutti i Corsi di Formazione